From one of our leading film authorities, a rich, penetrating, amusing plum pudding of a book about the golden age of movies, full of Hollywood lore, anecdotes, and analysis.
Jeanine Basinger gives us an immensely entertaining look into the “star machine,” examining how, at the height of the studio system, from the 1930s to the 1950s, the studios worked to manufacture star actors and actresses. With revelatory insights and delightful asides, she shows us how the machine worked when it worked, how it failed when it didn’t, and how irrelevant it could sometimes be. She gives us the “human factor,” case studies focusing on big stars groomed into the system: the “awesomely beautiful” (and disillusioned) Tyrone Power; the seductive, disobedient Lana Turner; and a dazzling cast of others—Loretta Young, Errol Flynn, Irene Dunne, Deanna Durbin. She anatomizes their careers, showing how their fame happened, and what happened to them as a result. (Both Lana Turner and Errol Flynn, for instance, were involved in notorious court cases.) In her trenchantly observed conclusion, she explains what has become of the star machine and why the studios’ practice of “making” stars is no longer relevant.
Deeply engrossing, full of energy, wit, and wisdom, The Star Machine is destined to become an invaluable part of the film canon.
I’ve said before that I love old Hollywood stories. Love them. This one was no different. When I saw the title, The Star Machine, I knew I had to learn more. Why? I’ve always been fascinated with the means by which the studios created the stars. Why did some actresses make it and others withered? Why did some actors only get to play certain parts while others were allowed to branch out? This book answers those questions and more.
I particularly liked the parts on Norma Shearer, Tyrone Power and Jean Arthur. Since these are three of my favorite players in Hollywood, it was fitting. I also enjoyed the portion on Lana Turner.
Shearer was seen as only becoming popular because she played loose women, then because she married the head of the production department. But there was a lot more to her. The production code screwed her over. Irving Thalberg, her head honcho husband, was the love of her life. She did a lot for Hollywood and was willing to fade into private life, rather than to keep making pictures when she knew she was past her prime.
Jean Arthur has always fascinated me. She’s smart and not exactly the usual in Hollywood. From her husky, quirky voice to her no-nonsense attitude, she was an unintended star. She bucked the system often. I loved how the author focused not so much on her being difficult (read: she knew what she wanted and wasn’t afraid to take it), but her desire to do her own thing.
Power, the poor man, was blessed and cursed with beauty. Now, it might seem like that’s a silly thing to look at as a curse. He’s gorgeous and the author points out how he was lit in his pictures more than his female co-stars. More often than not, Power was seen as the star vehicle because the brass knew he could get people in seats at the theater. Make him handsome-r and the women will come. But he wasn’t allowed to branch out of the swashbuckling handsome star until after he came back from World War 2. When he was a tad more weathered, he was allowed to be more than arm candy. Unfortunately, he didn’t live long enough to enjoy his newfound gravitas.
If you want a book that’s got lots of information, but doesn’t seem like you’re just reading facts, then this is a book for you. If you want to learn a little more about old Hollywood and get to know the inside scoop on the stars, then this is the book you want. If you’re interested in how the studios built people up, only to tear them down…then what are you waiting for?